Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Hyeon-goo, who was having a hard time moving, calls a business trip massage that he came across by chance. That night, he learns that the business trip massage he called is famous in the neighborhood, and Hyeon-goo falls in love with calling business trip massage every day. Then one day, Hyeon-goo, who was thinking about who to call, calls 3 people at once...

健具有异能，每当恐慌时，就能去到未来空间，所见的都在现实世界一一应验，魔术师华冷眼旁观。一次健又到未来世界，赫然见到自己在九月初九死亡，更有一女子扑雨哭泣……

公元2001年9月11日清晨，俩兄弟Jules和Gedeon Naudet 正在拍摄一个关于纽约市消防队员纪录片。 正在此时，天空中传来刺耳的飞机引擎啸叫声，Jules本能的向天空抬起来了摄像机。及时的拍下了飞机撞进世贸中心之前的，唯一地面近距离现场录像。 在这一命运攸关的时刻，Jules和Gedeon Naudet 作为现场直接目击者为后人留下了极为珍贵的911恐怖袭击事件现场影像。伴随着摄像机镜头的摇晃，俩兄弟跟随纽约市消防人员进入即将倒塌的世贸中心，直至世贸中心双子塔轰然倒塌。强有力的视觉冲击力，极度危险的危机现场。在城市中最为黑暗的几小时以内，消防队员成为了奉献,勇敢,伟大的代名词！

该片讲述了2001年美国“911”事件中，被困世贸中心电梯里的人，求生的故事。

In 9/64: O CHRISTMAS TREE, Kren offers a more visually descriptive development of a Muehl 'action. The images have been chosen to follow a more dramatic sequence, probably because the action itself contained a wide range of images and materials. 16mm.

In 9/64: O CHRISTMAS TREE, Kren offers a more visually descriptive development of a Muehl 'action. The images have been chosen to follow a more dramatic sequence, probably because the action itself contained a wide range of images and materials. 16mm.

Trapped in The Twin Towers on September 11th, thousands of ordinary people struggled to make contact with the outside world. Many knew that time was ticking away. These recorded messages and private calls are the most powerful legacy to the families left behind. Often full of love and dignity they depict humanity at its best and most resourceful in the face of evil.

When forces within and beyond this world conspire to snatch his son away, a father resolves to do whatever it takes to protect him.